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La Dama Del Cement: Amalia Fortabat

I just got back from an amazing trip from Argentina, and of course, one of the first things I do while I’m touring around a new country is ask the guides about the local history and the most notable women of the region.

Just imagine that one of the most powerful and successful executives in Argentina was a woman by the name of Amalia Fortabat. She caused quite a stir by divorcing her first husband and marrying a man 27 years her senior, who was the founder of a large and successful cement company. Their romance was the talk of Buenos Aires, where at the time, their relationship was anything but conventional.

It didn’t take long before she was immersed in his business. She was fluent in three languages, French, English and Spanish, and was the daughter of a prominent family (her mother’s family descended from Uraguay’s second president Manuel Oribe).

Following her husband’s death in 1976, she took charge of his business empire taking the company to greater heights, earning her the title “La dama del cement” or “The Cement Lady.” In addition to being a successful executive, Amalia Fortabat had a deep passion for the arts and philanthropy.

In the 70s, she created the Foundation Amalia Lacroze de Fortabat, “an institution that donates millions of dollars to charity and provides grants to children’s homes, schools and cultural centres.” And, in 1992 she was appointed president of the National Art Foundation where she continued to contribute her services to the arts and philanthropy to the end of her life.

One of the highlights from my trip was visiting her private art collection.

Here is a photo of the piece Andy Warhol created for her.

Lorena Garcia: Cooking Up A Storm

 

You may have seen her in the Taco Bell commercials, or perhaps Bravo TV’s “Top Chef Masters, ” but one thing’s for certain: Chef Lorena Garcia has now made it to the center stage of the American spotlight. No stranger to the media, Lorena and her cuisine, cookbook New Latin Classics and restaurants Lorena Garcia Cocina,and LorenaGARCIA Tapas have been featured in major magazines and TV networks including CNN, NBC, Bravo, and Telemundo, just to name a few.

Adding to her list of impressive achievements, Lorena launched “Big Chef Little Chef” – a program dedicated to help children and families take control of their health and combat obesity through workshops and hands on cooking classes.

Can you imagine this charismatic and creative force once had a completely different career trajectory? It was fascinating to learn that she earned her law degree and was continuing in her education when she had a personal epiphany that caused her to completely switch gears and explore a new future in the culinary arts. She enrolled at Johnson & Whales University and never looked back.

Recently I had the pleasure of having dinner with Lorena, Randy Jackson, Harriet Sternberg (who incidentally is on the Women A.R.E. advisory committee), and Lara Shriftman. As I had suspected, Lorena has an effervescent personality and was brimming with excitement about the new venture on her horizon. Lorena is so comfortable with herself that one can easily fall into friendship with her. She talks about the experience and ritual of food, as if she were giving a impromptu workshop on personal growth and relationships. No wonder she has a strong following worldwide!

Women A.R.E. is pleased to have chef extraordinaire and culinary artist, Lorena Garcia, as a participant on the “Women in the Arts” panel at the November 7th Summit.

Ann Philbin Re-Envisions Los Angeles’ Vibrant Art Scene

What does it take to turn a sleepy museum in Westwood Village into the talk of the town? The answer is – “a new visionary”. In 1999, that visionary woman was Ann Philbin. She left her ten-year position as the director of New York’s Drawing Center to come to Los Angeles with a passion and purpose to reveal one of the city’s greatest hidden gems.

Philbin was eager to transform the museum’s image and attract a new generation of art lovers and did so by developing programming to accommodate the interests of the urban art scene. She founded the museum’s Hammer Contemporary Collection as well as the Hammer Projects Series, which focuses on emerging artists.

During one of my conversations with her, Philbin beamed with pride as she talked about Los Angeles’s vibrant artistic community. Many people may not know this, but Los Angles has become the mecca for emerging artists, more so than New York or Berlin. Capitalizing on the strength of Los Angeles’s artistic community, she envisioned a bold and ambitious enterprise.

Last year The Hammer Museum joined forces with nonprofit gallery LAX ART and the Department of Cultural Affairs to hold the first ever Los Angeles Biennial called Made in LA. Unlike the well-known Whitney Biennial, Made in LA had a regional focus: about 60 artists, some marquee and many emerging or lesser-known artists, were participating in this enterprise.

Made in LA was an overwhelming success: local artists had a prestigious platform to showcase their work, and the community was abuzz with the influx of the new artistic energy put on display.

Today the Hammer features contemporary artists, holds short film festivals, readings, lectures and debates six days a week. It’s safe to say Ann Philbin’s vision for turning the space into a cultural hub and gathering place for artists, students, and enthusiasts has been realized.

We look forward to having her participate on “Women in the Arts” Panel in our summit on November 7th.

The Amazing Massiliano Giono and the 55th Annual Venice Art Biennale

I just got back from the 55th Annual Venice Art Biennale and I have to say that Massiliano Giono, 38 and the youngest curator in the history of the biennale, did such a thoughtful job of linking some of the most fascinating artworks in the central pavilion.

Carl Jung’s “Red Book”

Given that I am a disciple of Carl Jung, I can’t tell you how powerful it was to see his drawing on display in the center pavilion, and his much-coveted Red Book that has not been out of the vaults for decades was on display. Legend has it that when Jung was suffering from a extreme neurosis, he would withdraw to his tower in his estate and spend hours drawing symbols and images that bubbled up to his consciousness.  The work was both beautiful and cathartic.  A gallerist had asked if he wanted to ever sell his works, but he refused, saying that the intent for his art was healing and not commercial.  The stunning works were al in the infamous red, leather-bound book and it serves as some of the most archetypical pictures on the collective human psyche.  The book has been locked in the family vaults for decades, rarely to be seen by anyone.  Here were Carl Jung’s art on full display and the glorious book in a temperature controlled glass case for all to view.

Carl Jung’s “Red Book”

To me the whole question of what is art, who is considered an artist was the most thought provoking. There was a miner who claimed that a voice told him one day to make art. He headed that voice and spent hours making intricate designs that were simply breathtaking. He would often sit 20 hours at a time and claimed that his work was effortless since the hand of God was working through him.  He also never sold those sublime colorful grids but wanted to be “in communion with the vibrations of his color.

Miner’s Art

Other examples of lay people who have taken art seriously was on display:  a social worker who dealt with the restrictions of education and the prison system, blind people, who did not have a sense of space and proportion, a dental hygienist and a woman who through meditation created what looks like the typical drawings of the cosmos and chakras when she was not truly aware of such notions.  How wonderful and liberating it was to celebrate art for arts sake and to celebrate ordinary people who also turned out exquisite pieces of work!

The Russian and British Pavilion in particular were also great. And Ai Weiwei’s installation in the French Pavilion was another showstopper.

Artwork installation by Ai Wei Wei

Of course, Mr. Arnault had the good sense and taste of wrapping the entirety of his Pallazo Grassi, wall to wall, floor to ceiling with Persian tribal carpeting courtesy of Rudolph Stingel.  But really, after going through the 20th room in the palazzo you got tired of the same thing.

Pallazo Grassi carpeting by Rudolph Stingel

The most surreal was Prada Foundation’s exhibition of “When Ideas become Form”—a rather menacing “muahahaha” voice blared throughout the palazzo and then there was this hysterical cry of a baby. (Maybe babies cannot be called hysterical because they have a right to cry)

That is the funny thing about exhibitions; you never know what is real and what is not! Obviously I knew that the Prada-clan doormen would never let in a certified lunatic so the real question was if there was a real baby in the exhibition? That was a recording too.

But joking aside, I came to understand that the seminal 1969 show that re-created tried to show that process of art was as important as the product itself—or perhaps no product at all. A revolutionary thing at the time that filled in the gap between what we are conditioned to appreciate and what the essence and possibilities of art could be

The only funny thing is that just as I left the Palazzo door, there was a screaming baby in the arms of a helpless dad as well.  At that very threshold was the display of life imitating art!

 

Ellsworth Kelly: Living Inspired at 89

Ellsworth Kelly
(photo: Vanity Fair)

When many people think of growing old they imagine a life on the decline – instead of reaching a climax. Why not travel the world, write a book, fall in love, or create something spectacular or start something new?

I love when I come across people in any field who break stereotypes and set an example for us all of what can be. Their lives inspire us. Ellsworth Kelly is such a man.

Painter, sculptor and printmaker, Ellsworth Kelly is famous for his abstract work, use of simple forms, and hard edge and color field painting. His works hang in museums and private collections worldwide including New York’s Museum of Modern Art, the San Francisco Museum of Modern Art, and Museum of Contemporary Art in San Diego to name just a few.

He lives a painter’s dream producing exceptional works of art, and now at age 89 and with two major shows coming up – one at the Metropolitan Museum of Art and another at the Morgan Library & Museum – he doesn’t allow his age to paint him into a corner.

Living the good life, he works in what many would consider a painters paradise — 15,000 sq ft of a perfectly re-designed studio in Spencertown, NY, and lives with his life partner and renowned photographer Jack Shear.

Although age has gifted him with more aches and pains, and most notably oxygen tanks that have become his daily companions, Ellsworth Kelly continues to paint, and for that we are grateful.

Posted in Art

Shirin Neshat wins directorial award at the Venice Film Festival

It goes without saying that I am a die-hard fan of Shirin Neshat’s work.  But after interviewing her for an article in the Huffington Post, I was even more impressed by her.

After garnering much international acclaim for her photography and her video art, she took herself and her art into new territory by directing a feature film for the first time.

The film, Women without Men, is a visually arresting film with great political undertones.

It is uncanny to see that the demonstration scenes depicted in the 1953 CIA backed coup d’etat bears strong resemblance to the demonstration clips that come out of present day Iran.  In an interview, Shirin, a Mousavi supporter, stated, “People have changed. The dictators have changed in form and shape and ideology. But the struggle continues today.”

On September 12th, Shirin Neshat, wearing her green Mousavi bracelet, held her Silver Lion Award in the closing ceremony of the Venice Film Festival.  We should all be so proud of this great artist and trailblazer. I hope others get to view this movie soon.

Iranian Art Explosion in New York

When I visited New York a few weeks back, I was pleasantly surprised by the city’s great interest and support of Iranian Art.  The Metropolitan Museum’s collection of Persian Art is one of the largest in the western world and just recently it was announced that a new gallery will be dedicated to showcase some of the Iranian masterpieces in the collection.  The Bijan Mossavar-Rahmani Fund has made this possible and I can’t wait to see the legendary 15th century Book of Kings (Shahnameh) on view when the gallery opens in 2011.

I also went to the Chelsea Art Museum to view the exhibition—Iran Inside and Out.  This exhibition presented over 50 artists, half of whom live in Iran and half of whom live in a diaspora.  Of course I found this to be a timely exhibition not only because of the new wave of interest in Iran Art but also because it provides the viewer the ability to formulate his or her own views on what makes up the people of Iran.  What is most interesting is that the “diaspora artists” drew more references to their cultural heritage than those who live in Iran.  The work of the artists living in Iran seemed to be less culture-specific and what many people may say “Middle Eastern” in theme.  Indeed this exhibition gave me great insight into the aspirations and hopes of these artists, who used their art as a means of self-expression.